Диана Уинн Джонс - Дом ста дорог [with w_cat]

A lubbock will attack any human it sees, either with its pincer-like appendages or its formidable proboscis. For ten months of the year, it will merely tear the human to pieces for food, but in the months of July and August it comes into its breeding season and is then especially dangerous; for in those months it will lie in wait for human travelers and, having caught one, it will lay its eggs in that human's body. The eggs hatch after twelve months, whereupon the first hatched will eat the rest, and this single new lubbock will then carve its way out of its human host. A male human will die. A female human will give birth in the normal fashion, and the offspring so born will be a LUBBOCKIN (see below). The human female then usually dies."

[333] My goodness, I had a narrow escape! Charmain thought and her eyes, and Peter's, scudded on to the next entry.

[334] "LUBBOCKIN: the offspring of a LUBBOCK qv and a human female. These creatures normally have the appearance of a human child except that they invariably have purple eyes. Some will have purple skin, and a few may even be born with vestigial wings. A midwife will destroy an obvious lubbockin on sight, but in many cases lubbockins have been mistakenly reared as if they were human children. They are almost invariably evil, and since lubbockins can breed with humans, the evil nature does not disappear until several generations have passed. It is rumored that many of the inhabitants of remote areas such as High Norland and Montalbino owe their origins to a lubbockin ancestor."

[335] It was hard to describe the effect of reading this on both Charmain and Peter. They both wished they had not read it.

Great-Uncle William's sunny study suddenly felt entirely unsafe, with queer shadows in the corners. In fact, Charmain thought, the whole house did. She and Peter both found themselves staring around uneasily and then looking urgently out of the window for danger in the garden. Both jumped when Waif gave an outsize yawn somewhere in the corridor.

Charmain wanted to dash out there and make sure that window at the end was quite, quite shut. But first she had to look at Peter very, very carefully for any signs of purple in him. He said he came from Montalbino, after all.

[336] Peter had gone very white. This showed up quite a few freckles across his nose, but they were pale orange freckles, and the meager new hairs that grew on his chin were a sort of orange too. His eyes were a rusty sort of brown, nothing like the greenish yellow of Charmain's own eyes, but not purple either. She could see all this easily because Peter was staring at her quite as carefully. Her face felt cold. She could tell it had gone as white as Peter's. Finally, they both spoke at once.

[337] Charmain said, "You're from Montalbino. Is your family purple?"

Peter said, "You met a lubbock. Did it lay any eggs in you?"

Charmain said, "No."

[338] Peter said, "My mother's called the Witch of Montalbino, but she's from High Norland, really. And she is not purple.

Tell me about this lubbock you met."

[339] Charmain explained how she had climbed out of the window and arrived in the mountain pasture where the lubbock lurked inside the blue flower and—

[340] "But did it touch you?" Peter interrupted.

[341] "No, because I fell off the cliff before it could," Charmain said.

[342] "Fell off the—Then why aren't you dead?" Peter demanded. He backed away from her slightly, as if he thought she might be some kind of zombie.

[343] "I worked a spell," Charmain told him, rather airily because she was so proud of having worked real magic. "A flying spell."

[344] "Really?" said Peter, half eager, half suspicious. "What flying spell? Where?"

[345] "Out of a book in here," Charmain said. "And when I fell, I started to float and came down quite safely in the garden path. There's no need to look so disbelieving. There was a kobold called Rollo in the garden when I came down. Ask him, if you don't believe me."

[346] "I will," Peter said. "What was this book? Show me."

[347] Charmain tossed her plait haughtily across her shoulder and went over to the desk. The Boke of Palimpsest seemed to be trying to hide. It was certainly not where she had left it. Perhaps Peter had moved it. She found it in the end, squeezed in among the row of Res Magica, pretending to be another volume of the encyclopedia. "There," she said, banging it down on top of Hex, "and how dare you doubt my word! Now I'm going to find a book to read."

[348] She marched to one of the bookshelves and began picking out likely titles. None of the books seemed to have stories in them, which Charmain would have preferred, but some of the titles were quite interesting. What about The Thaumaturge as Artist, for instance, or Memoirs of an Exorcist? On the other hand, The Theory and Practice of Choral Invocation looked decidedly dry, but Charmain rather fancied the one next to it, called The Twelve-Branched Wand.

[349] Peter meanwhile sat himself down at the desk and leafed eagerly through The Boke of Palimpsest. Charmain was just discovering that The Thaumaturge as Artist was full of off-putting sayings like "thus our happy little magician can bring a sweet, fairylike music to our ears," when Peter said irritably, "There's no spell for flying in here. I've looked right through."

[350] "Perhaps I used it up," Charmain suggested vaguely. She took a look inside The Twelve-Branched Wand and found it a very promising read.

[351] "Spells don't work like that," Peter said. "Where did you find it, really?"

[352] "In there. I told you," Charmain said. "And if you can't believe a word I say, why do you keep asking me?" She dropped her glasses off her nose, snapped the book shut, and carried a whole pile of likely volumes out into the corridor, where she slammed the study door on Peter and marched off backward and forward through the bathroom door until she reached the living room. There, in spite of the mustiness, she decided to stay. After that entry in Res Magica, outside in the sun did not seem safe anymore. She thought of the lubbock looming above the hydrangeas and sat herself firmly down on the sofa instead.

[353] She was deep in The Twelve-Branched Wand, and even beginning to understand what it was about, when there was a sharp rapping at the front door. Charmain thought, just as she usually did, Someone else can answer that, and read on.

[354] The door opened with an impatient rattle. Aunt Sempronia's voice said, "Of course she's all right, Berenice. She just has her nose in a book, as usual."

[355] Charmain tore herself out of the book and snatched off her glasses in time to see her mother following Aunt Sempronia into the house. Aunt Sempronia, as usual, was most impressively clothed in stiff silk. Mrs. Baker was at her most respectable in gray, with shining white collar and cuffs, and wore her most respectable gray hat.

[356] How lucky I put on clean clothes this—, Charmain was beginning to think, when it dawned on her that the rest of the house was simply not fit for either of these two ladies to see. Not only was the kitchen full of dirty human dishes and dirty dog dishes, bubbles, laundry, and a vast white dog, but Peter was sitting in the study. Mother would probably only find the kitchen, and that was bad enough. But Aunt Sempronia was (pretty certainly) a witch, and she would find the study and come across Peter. Then Mother would want to know what an unknown boy was doing here. And when Peter was explained, Mother would say that in that case Peter could look after Great-Uncle William's house for him, and Charmain must do the respectable thing and come home at once. Aunt Sempronia would agree, and off home Charmain would be forced to go. And there would be an end to peace and freedom.

[357] Charmain jumped to her feet and smiled terrifically, so broadly and welcomingly that she thought she might have sprained her face. "Oh, hallo!" she said. "I didn't hear the door."

[358] "You never do," said Aunt Sempronia.

[359] Mrs. Baker peered at Charmain, full of anxiety. "Are you all right, my love? Quite all right? Why haven't you put your hair up properly?"

[360] "I like it like this," Charmain said, shuffling across so that she was between the two ladies and the kitchen door. "Don't you think it suits me, Aunt Sempronia?"

[361] Aunt Sempronia leaned on her parasol and looked at her judiciously. "Yes," she said. "It does. It makes you look younger and plumper. Is that how you want to look?"

[362] "Yes, it is," Charmain said defiantly.

[363] Mrs. Baker sighed. "Darling, I wish you wouldn't talk in that bold way. People don't like it, you know. But I'm very glad to see you looking so well. I lay awake half the night listening to the rain and hoping that the roof on this house didn't leak."

[364] "It doesn't leak," Charmain said.

[365] "Or fearing that you might have left a window open," added her mother.

[366] Charmain shuddered. "No, I shut the window," she said, and immediately felt sure that Peter was at that moment opening the window onto the lubbock's meadow. "You really have nothing to worry about, Mother," she lied.

[367] "Well, to tell the truth, I was a little worried," Mrs. Baker said. "Your first time away from the nest, you know. I spoke to your father about it. He said you might not be managing to feed yourself properly." She held up the bulging embroidered bag she was carrying. "He packed you some more food in this. I'll just go and put it in the kitchen for you, shall I?" she asked, and pushed past Charmain toward the inner door.

[368] No! Help! Charmain thought. She took hold of the embroidered bag in what she hoped was a most gentle, civilized way, rather than the grab for it that she would have liked to make, and said, "You needn't bother, Mother. I'll take it in a moment and fetch the other one for you—"

[369] "Oh why? It's no trouble, my love," her mother protested, hanging on to the bag.

[370] "—because I've got a surprise for you first," Charmain said hurriedly. "You go and sit down. That sofa's very comfortable, Mother." And it has its back to this door. "Do take a seat, Aunt Sempronia—"

[371] "But it won't take me a moment," Mrs. Baker said. "If I leave it on the kitchen table where you can find it—"

[372] Charmain waved her free hand. Her other hand was hanging on to the bag for dear life. "Great-Uncle William!" she cried out. "Morning coffee! Please!"

[373] To her enormous relief, Great-Uncle William's kind voice replied, "Tap the trolley in the corner, my dear, and say 'Morning Coffee.'"

[374] Mrs. Baker gasped with amazement and looked round to see where the voice was coming from. Aunt Sempronia looked interested, looked quizzical, and went over to give the trolley a smart rap with her parasol. "Morning Coffee?" she said.

[375] Instantly the room filled with a warm smell of coffee. A tall silver coffee pot stood on the trolley, steaming, together with tiny gilded cups, a gilded cream jug, a silver sugar boat, and a plate of little sugary cakes. Mrs. Baker was so astonished that she let go of the embroidered bag. Charmain put it quickly behind the nearest armchair.

[376] "Very elegant magic," Aunt Sempronia said. "Berenice, come and sit down here and let Charmain wheel the trolley over beside this sofa."

[377] Mrs. Baker obeyed, looking dazed, and to Charmain's acute relief, the visit started to turn into an elegant, respectable coffee morning. Aunt Sempronia poured coffee, while Charmain handed round the sugary cakes. Charmain was standing facing the kitchen door, holding the plate out to Aunt Sempronia, when the door swung open and Waif 's huge face appeared round the edge of it, obviously fetched by the smell of little sugary cakes.

[378] "Go away, Waif!" Charmain said. "Shoo! I mean it! You can't come in here unless you're…you're…you're respectable.

Go!"

[379] Waif stared wistfully, sighed hugely, and backed away. By the time Mrs. Baker and Aunt Sempronia, each carefully holding a brimming little coffee cup, had managed to turn round to see who Charmain was talking to, Waif was gone and the door was shut again.

"What was that?" Mrs. Baker asked.

[380] "Nothing," Charmain said soothingly. "Only Great-Uncle William's guard dog, you know. She's terribly greedy—"

[381] "You have a dog here!" Mrs. Baker interrupted, in the greatest alarm. "I'm not sure I like that, Charmain. Dogs are so dirty. And you could get bitten! I hope you keep it chained up."

[382] "No, no, no, she's terribly clean. And obedient," Charmain said, wondering if this was true. "It's just—it's just that she overeats. Great-Uncle William tries to keep her on a diet, so of course she was after one of these cakes—"

[383] The kitchen door opened again. This time it was Peter's face that came round the edge of it, with a look on it that suggested that Peter had something urgent to say. The look turned to horror as he took in Aunt Sempronia's finery and Mrs. Baker's respectability.

[384] "Here she is again," Charmain said, rather desperately. "Waif, go away!"

[385] Peter took the hint and vanished, just before Aunt Sempronia could turn round again and see him. Mrs. Baker looked more alarmed than ever.

[386] "You worry too much, Berenice," Aunt Sempronia said. "I admit that dogs are smelly and dirty and noisy, but there's nothing to beat a good guard dog for keeping a house safe. You should be glad that Charmain has one."

[387] "I suppose so," Mrs. Baker agreed, sounding wholly unconvinced. "But—but didn't you tell me this house is protected by—your great-uncle's…er…wizardly arts?"

[388] "Yes, yes, it is!" Charmain said eagerly. "The place is doubly safe!"